DSCN2180
/ Art

Bones Park Rider – Cover Art

One of my City Lighboxes has been used by Sheffield punk band Bones Park Rider as artwork for their debut CD – available now from http://www.hepcatrecords.co.uk or lovely Sheffield shops like Record Collector, Rare and Racy, The Rude Shipyard Beneath my

DSCN2180
/ Art

Bones Park Rider – Cover Art

One of my City Lighboxes has been used by Sheffield punk band Bones Park Rider as artwork for their debut CD – available now from http://www.hepcatrecords.co.uk or lovely Sheffield shops like Record Collector, Rare and Racy, The Rude Shipyard Beneath my

Performance Photos

Hand/Eye Coordination – 2012

I enjoy the methodical process of stitching by hand and the state of concentrated immersion it induces – what is described by psychologist Mihaly Csikszentmihalyi as ‘flow’. I have been exploring process, skill and tacit knowledge through performance work, by

Performance Photos

Hand/Eye Coordination – 2012

I enjoy the methodical process of stitching by hand and the state of concentrated immersion it induces – what is described by psychologist Mihaly Csikszentmihalyi as ‘flow’. I have been exploring process, skill and tacit knowledge through performance work, by

Making of Wooly Worms Animation

Archive: 2011 – Wooly Worms

Showing what can happen when bored art students are left with a camera and some wool, this short experimental animation was produced over the course of a day & made in collaboration with Katie Rowlston (http://www.allawry.com/) & Alicia Gledhill working

Making of Wooly Worms Animation

Archive: 2011 – Wooly Worms

Showing what can happen when bored art students are left with a camera and some wool, this short experimental animation was produced over the course of a day & made in collaboration with Katie Rowlston (http://www.allawry.com/) & Alicia Gledhill working

Hour Quilt - Installation set up (Hour 5 - Quilt)

Archive: 2011 – 1 Hour Quilt

1 Hour Quilt has a closer link to my earlier work, instead of making the objects and then labeling it with the time it took to produce, I decided to set myself a fixed time limit (1hour) and see how

Hour Quilt - Installation set up (Hour 5 - Quilt)

Archive: 2011 – 1 Hour Quilt

1 Hour Quilt has a closer link to my earlier work, instead of making the objects and then labeling it with the time it took to produce, I decided to set myself a fixed time limit (1hour) and see how

Buttons

Archive: 2011 – Buttons & Holes

Buttons and Holes was a piece made in collaboration with members of the public. The materials and instructions for sewing buttons onto a piece of cloth were left in three different locations (the Armed with Needles group show at Bank

Buttons

Archive: 2011 – Buttons & Holes

Buttons and Holes was a piece made in collaboration with members of the public. The materials and instructions for sewing buttons onto a piece of cloth were left in three different locations (the Armed with Needles group show at Bank

S3 7UD

Archive: 2011 – S3 7TX and S3 7UD

In March 2011 I was involved in putting together a group show at Bank Street Arts in Sheffield entitled Armed with Needles. The group came together from various disciplines of the course in order to explore textiles, (some for the

S3 7UD

Archive: 2011 – S3 7TX and S3 7UD

In March 2011 I was involved in putting together a group show at Bank Street Arts in Sheffield entitled Armed with Needles. The group came together from various disciplines of the course in order to explore textiles, (some for the

P1040102

Pretty Rude Words

The subversion and application of traditional techniques to a modern themes echoes through my work – I regularly produce mini-cross stitch jewellery of offensive words which I sell through several local shops in Sheffield (UK).

P1040102

Pretty Rude Words

The subversion and application of traditional techniques to a modern themes echoes through my work – I regularly produce mini-cross stitch jewellery of offensive words which I sell through several local shops in Sheffield (UK).